Kannum Kollaiyadithaal Movie Synopsis: Two cons experience passionate feelings for and choose to patch his direction and settle down with their sweethearts. Be that as it may, a few curveballs, one as a decided cop, are simply holding up available.
Kannum Kollaiyadithaal Movie Review: Siddharth (Dulquer Salmaan), a nerd, is attempting to charm Meera (Ritu Varma), a commonplace young lady nearby. Egged on by his companion and flat mate Kallis (Rakshan), he figured out how to propose to her. What’s more, she acknowledges! Kallis, as well, gets into a relationship with Meera’s companion Shreya (Niranjani Ahathiyan). Things are going acceptable, and Siddharth and Kallis, who are scamsters, choose to make a fresh start and settle down in Goa with their lady friends. In the mean time, Prathap Chakravarthi (Gautham Vasudev Menon), a cop who has been by and by influenced by their violations, is resolved to capture them.
Kannum Kollaiyadithaal is a winsome sentimental spine chiller with beguiling leads and edge-of-the-seat minutes. Desingh Periyasamy shows an energy for this material both in his composition and making. In spite of the fact that his reason isn’t new, he figures out how to infuse freshness into the scenes with shrewd composition. Take Kallis. He at first appears simply one more wisecracking companion that we run over in our movies, however the chief bit by bit transforms him into an equal lead who is utilized to viably help up the heavier scenes. Indeed, even a breakdown scene of this character is loaded up with the perfect measure of silliness to guarantee that things don’t turn excessively genuine.
Also, when the film transforms into an appropriate heist film in the subsequent a large portion of, the move feels consistent. The heist partitions, as well, have the perfect measure of rushes and giggles. The specialized group guarantees that the blustery state of mind supports. Masala Coffee and Harshvardhan Rameshwar’s melodies and score are enthusiastic while KM Bhaskaran gives the extravagance that the content merits with his visuals. Actually, the more extended running time doesn’t feel like an issue at all here, however the initial 15-20 minutes are somewhat disappointing.
The chief likewise doesn’t make a decent attempt to make us love his characters, and rather lets his on-screen characters do the enchantment. In Dulquer and Ritu, he has on-screen characters who can easily be charming and the two stars, are in such fine structure here. In any case, it is Gautham Vasudev Menon who ends up being Desingh’s ace in the hole. The executive’s characterisation feels like a gesture to the legends in his own movies, however it is just at last, when we get a funny self-referential scene that conveys the film’s greatest chuckles, that we understand how well Desingh has played us with this character.