Ayyappanum Koshiyum is a Malayalam action drama film directed by Sachy. The Film Stars Prithviraj Sukumaran and Biju Menon. The movie is produced by Ranjith and P. M Sasidharan under the Banner “Gold Coin Motion Picture Company”. The story revolves around Koshy Kurien, an ex-Army veteran, and Ayyappan Nair, an SI of the Kerala Police posted in Attapadi
The film is the director’s second film as a director after Anarkali which also had Prithviraj Sukumaran and Biju Menon acting in main roles. The movie is edited by Ranjan Abraham. Sudeep Elamon is the cinematographer and music are done by Jakes Bejoy. Agnivesh Ranjith is the executive producer of the movie.
Ayyappanum Koshiyum Audience Review
Source: Indian Cinema Gallery
Naan Sirithal Movie Review
Naan Sirithal is a parody show composed and coordinated by debutant Raana and created by Sundar C under the pennant Avni Cinemas. The film has Hiphop Tamizha Adhi and Iswarya Menon ahead of the pack jobs while KS Ravikumar plays the opponent. Badava Gopi, ‘Eruma Saani’ Vijay, Sujatha, Munishkanth, Shah Ra and others assume pivotal supporting jobs.
Naan Sirithal is the element film rendition of Raana’s own short film Kekka Bekka Kekka Bekka. Hiphop Tamizha Adhi assumes the job of Gandhi, and consistent with his name, he is a peaceful individual. He builds up an exceptional quality of giggling at whatever point he gets apprehensive or feels dismal, and that flips around his life. How he figures out how to leave these issues shapes the remainder of the film.
This is Adhi’s third film as the lead and this is by a wide margin his most eager film. For a large portion of its runtime, it doesn’t pay attention to itself and that ought to have worked in support of its yet there is a feeling of dreariness at the rear of your head. The underlying minutes where Gandhi’s condition is clarified makes the executive’s purpose understood – he needs to engage you and simply that.
Normally Hiphop Tamizha’s movies have enthusiastic tunes that draw in you and engages simultaneously. In Naan Sirithal, it winds up intruding on the stream vigorously. This is on the grounds that the film is unique that needn’t bother with tunes. A great deal of different components excessively appeared to be superfluous.
The film has a great deal of ordinary components that you’ll find in a Hiphop Tamizha film. There is a succession including Hindi inconvenience inside a corporate office which looked unnecessary and power fitted. You have the legend stalking the champion in a designing school and there is a Hiphop Tamizha tune for every circumstance like love, separation, fixing up, and the sky is the limit from there. In a perfect world, Naan Sirithal ought to have been a short film, and on the off chance that it had remained as one, it would have been a fresh performer.
The film banks just on the one of a kind state of Gandhi, which works till the start of the subsequent half. Notwithstanding the clever parody punches by the supporting cast, headed by an awesome Badava Gopi and Munishkanth, the procedures become unsurprising and dull. Yogi Babu’s presentation towards the peak additionally flavors things up a smidgen, yet doesn’t offer you anything over a couple of rib stimulating minutes. Iswarya Menon as Ankitha is available all through the film, yet she doesn’t offer much since her character doesn’t have a lot of degree.
The enchantment of Hiphop Tamizha that we saw in Meesaya Murukku, and Natpe Thunai to a degree is absent in Naan Sirithal, both as far as vitality and freshness. Hiphop Tamizha’s experience score is tolerable and the visuals look conflicting as far as lighting.
With the same old thing to offer as far as detail and the story turning unsurprising after a point, the main salvation is the parody of blunders that occurs in the principal half and a couple comedic arrangements to a great extent.
Oh My Kadavule Movie Review : Engaging romance with good performances and a solid element of surprise
Oh My Kadavule is a rom-com composed and coordinated by Ashwath Marimuthu that stars Ashok Selvan, Ritika Singh, Vani Bhojan and Sha Ra in head jobs while Vijay Sethupathi and Ramesh Thilak play broadened appearances. The film is delivered by G. Dilli Babu under the standard Axess Film Factory.
Arjun (Ashok Selvan) is a confounded, loosen youth who is dear companions with Anu (Ritika Singh) and Mani (Sha Ra). During an apparently ordinary drinking meeting including the three, Anu proposes to marry Arjun, along these lines prompting a rough marriage.
Fortunately, Arjun gets another opportunity because of celestial intercession from two individuals (played by Vijay Sethupathi and Ramesh Thilak) who run a spot called ‘Love Court’, which additionally offers him a chance to right his wrongs. He attempts to seek after his energy and would like to win over Meera (Vani Bhojan), a growing movie producer and his youth pulverize, who likewise happens to be a year more established than him. Will Arjun’s second took shots at life prompts a cheerfully hitched life frames the remainder of the story
OH MY KADAVULE CAST and CREW
Creation: Axess Film Factory Cast: Ashok Selvan, Ritika Singh, Shah Ra, Vani Bhojan Direction: Ashwath Marimuthu Screenplay: Ashwath Marimuthu Story: Ashwath Marimuthu Music: Leon James Background score: Leon James Cinematography: Vidhu Ayyanna
Gracious My Kadavule is a lighthearted comedy composed and coordinated by Ashwath Marimuthu that stars Ashok Selvan, Ritika Singh, Vani Bhojan and Sha Ra in head jobs while Vijay Sethupathi and Ramesh Thilak play expanded appearances. The film is delivered by G. Dilli Babu under the pennant Axess Film Factory.
Arjun (Ashok Selvan) is a confounded, loosen adolescent who is dear companions with Anu (Ritika Singh) and Mani (Sha Ra). During an apparently ordinary drinking meeting including the three, Anu proposes to marry Arjun, in this manner prompting a rough marriage.
Fortunately, Arjun gets another opportunity because of perfect intercession from two individuals (played by Vijay Sethupathi and Ramesh Thilak) who run a spot called ‘Love Court’, which likewise offers him a chance to right his wrongs. He attempts to seek after his energy and wants to win over Meera (Vani Bhojan), a growing movie producer and his youth pulverize, who additionally happens to be a year more established than him. Will Arjun’s second took shots at life prompts a joyfully hitched life frames the remainder of the story
OMK begins an insecure note, where at first, the film makes a decent attempt to be clever (the foundation score by Leon James oversells each entertaining minute). Yet, as the story advances, the film takes a connecting with turn by transcending the platitudes of a lighthearted comedy. The content naturally offers space to humor that expect more noteworthy centrality in the story.
For example, Arjun turns into the quality control boss of an organization (possessed by Anu’s dad, played by MS Baskar) that makes restroom toilets. Hold up till the “joke” offers space to a contacting minute that hits backs as a rude awakening for Arjun. The curiously crackpot premise (that helps you a piece to remember Jim Carey’s Bruce Almighty establishment) introduces a relationship show through the viewpoint of a dream.
Not simply the idea, the executive conveys highbrow sensibilities and it is clear when the film doesn’t sensationalize the courageous woman’s drinking scenes. The principal half is stuffed with acceptable composing that prompts a great deal of astounding minutes in the subsequent half.
The subsequent half rotates around Arjun’s second life through a brilliant ticket that is noticeable just to him, where he attempts to redress the slip-ups of his past life. Alongside the help comes a couple of conditions, and this vanity prompts a ton of tense minutes where Arjun thinks that its hard to not uncover this mystery.
The adjustments at the subsequent half seem to be little astonishments that causes you to return to the previous snapshots of the film. A stretch including Arjun’s endeavors to astound Meera on her birthday is one of the most charming snapshots of the film. Ashok Selvan fits into the bill as a non-undermining, confounded youth and the on-screen character’s science with Ritika Singh is unmistakable in each scene. For example, take the scene where Arjun fights with Anu in a lift. The scene felt less like acting and progressively like a similar trade of responses.
Vani Bhojan and Sha Ra play their parts well, while Vijay Sethupathi and Ramesh Thilak chip in with viable appearances. The group exhibitions and the splendidly lit cinematography adds to the enjoyment vibe of the film. With OMK, Ashwath Marimuthu ends up being a movie producer with present day sensibilities. Goodness My Kadavule is a connecting with and a profoundly innovative sentiment
Paapam Cheyyathavar Kalleriyatte review : Unlimited Fun
Chief Shambu Purushothaman keeps it short and ensures each component in the story has a reason.
A lady sitting discreetly without anyone else, making the most of her nourishment at a commitment service, watches two other ladies stroll in. She grins to herself. It is a scene in Paapam Cheyyathavar Kalleriyatte, and you figure it doesn’t generally have any reason. This is a lady who has not been presented, who resembles an irregular character on screen. In any case, in the following scene, she has an exchange that acquires one of the numerous turns in a story that started in a really clear way.
Chief Shambu Purushothaman must put stock in Chekhov’s firearm, a fascinating rule that says each component in a story must have a reason. Thus, everybody from the unidentified lady who is there to catch discussions to the principle characters attempting to assemble a commitment service, has a task to carry out.
The content, additionally composed by Purushothaman, is hypothetically solid that way. It’s a fascinating parody, one that makes the title extremely, adept. Just, it comes up short on a specific quality that could have made it an incredible film.
The main scene, as we stated, resembles a clear marriage plan. Two families are talking marriage and cash. Siblings and brother by marriage (Tini Tom) of the man of the hour to-be Rohan (Arun Kurian), with his mom are addressing the guardians of the lady of the hour to-be. At the point when the lady’s mom offers her little girl’s telephone number to Rohan, his sibling Roy (Vinay Forrt) cannot. Up until now, everything looks about right – this is for the most part how regular relationships are as yet organized. Nobody ever wants to present the two individuals getting hitched, overlook trading telephone numbers and allowing them to know one another.
Just in the following scene, when Roy sees the visitors leave, and hurries into the house to open the satchel of money that they abandoned as a feature of the endowment, does the circumstance quit being run of the mill. The family is desperate and a ton relies upon this wedding. The prearranged engagement needs to happen very soon. That is the point at which the prior scene bodes well – Roy doesn’t need Rohan to begin conversing with his life partner and hazard the wedding getting dropped, in the event that the two don’t get along.
Be that as it may, it isn’t only that, you will see. Santhy Balachandran plays the to-be-wedded Linda, entering the image through a melody, wearing pretty robes, strolling past falsely made settings on the sea shore with Rohan. The pre-wedding shoot, a pattern in Kerala nowadays. Purushothaman right now attacks numerous contemporary practices, similarly as he goes after endowment and the shows and affectations of individuals who go searching for others’ shortcomings. He utilizes the character of Linda to uncover the last-said.
Linda, when she seeks the commitment, acts like a more youthful form of the lady in the pre-wedding video – demanding eating chips before escaping the vehicle, reporting in the photograph shoots that she is ravenous and that she can hardly wait for the visitors to complete the process of, moving solo to the music being played, and advising the cleric who requests that her be an agreeable accomplice to Rohan that she would be his accomplice however not a compliant one. These, obviously, are entirely reasonable activities – eat when you are eager, move on your enormous day, and reprimand man centric society. However, Linda’s adolescent conduct – and Santhy does this delightfully – causes it to show up excessively insane, and individuals notice.
By at that point in any case, the event has gotten a middle for some, numerous disclosures. There’s an issue behind each wonderful face and two unsavory ones – extramarital issues, lost love, obligations, etc. The main tragic looking folks are Madhupal, playing the senior child in Rohan’s family, who’s consistently in a stay with his ganja and western music, and Anil Nedumangad playing a man despite everything lamenting a 12-year-old separation. Somebody calls him Venu Nagavally, a reference Malayalam film admirers of the ’80s would get, for the late entertainer had played a ton of such characters, looking tragic and lost. Anil’s pitiful character is incidentally the lighthearted element, for he has on a wig and looks interminably desolate even as he serves rice.
Vinay Forrt and Tini Tom make a beautiful combo, the two brothers by marriage, connected at the hip with the budgetary difficulties of the home. Srindaa plays Vinay’s significant other and pulls off her possessive character effortlessly. Anumol, another little girl in the family, likewise has a backstory. Alencier, who appears at the capacity, also is presented in an amusing circumstance, however that would clarify his character later depicted in the film. Indeed, even the mother’s character (Ambily) has more to do that simply being the mother and willfully ignorant of such’s turning out badly.
Purushothaman has taken endeavors to ensure that no single scene is squandered. Everybody is represented. Just, even as he keeps it short, the film neglects to contact a harmony. The dissipated stories stay far off, with no impact on the watcher, either to cause one chuckle or to feel for a character or more. In any case, you can’t miss the idea given to each character. It is one of those movies you acknowledge yet can’t feel for too profoundly.
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