Madhura Raja is an Indian Malayalam-language action movie directed by Vysakh, produced by Udaykrishna and featuring Mammootty, Jai and Jagapathi Babu in the number one spot jobs. The music is formed by Gopi Sundar. This film denotes the introduction of Jai in Malayalam film. The film is a turn off to 2010 film Pokkiri Raja and Mammootty repeats his job as Raja. Madhura Raja was discharged worldwide on 12 April 2019.
Nine years after 'Pokkiri raja' Vysakh combines up with Mammootty for Madhuraraja with Mammootty repeating his job as the main character. Udayakrishna, the business hit creator, turns this story taking into account Mammootty fans holding on to see him in an overwhelming symbol. What's more, Madhuraraja is everything that they were sitting tight for.
Pambinthuruth needs their saint Madhuraraja, when alcohol nobleman Nadeshan makes the place where they grew up island his scene of wrongdoing. Despite the fact that Chinna raja (Jai) is sent to contain an engagement in the island things winding our of his control and Madhuraraja needs to come to spare the day.
The film begins with guarantee. Despite the fact that Mammootty, as Madhuraraja, requires a long time to appear on screen, when does he does as such with a significant wonder. Salim Kumar as author Ezhuthachan Alias Manoharan is reminiscent of the old Salim Kumar who made us laugh hysterically with his astute repartee. A Salim Kumar who had been absent for a long time. The much touted Sunny Leone comes in as the fundamental artist to a tune, moves great, and is never known about or found in motion picture until kingdom come. Gopi Sundar's music is dynamic, appealing and supplements the account great.
In the second a large portion of the story investigates a somewhat political and social figure of speech. Credit to the endeavor, however Udayakrishna doesn't actually satisfy the guidelines of political critique a normal Malayali is utilized to, gratitude to Renji Panicker during the 90s and Murali Gopy from now on. To put it plainly, Udayakrishna's political editorial appears to be insane and constrained. Madhuraja is a festival of the megastar's masochism. Along these lines, the account scarcely allows some other character to grow, not to mention any female character. The various characters, even Jai, wraps up a prop.
Madhuraja is all that they guaranteed it would be. It's has plentiful over-the-top activity arranged by Peter Hein, the Megastar in an overwhelming symbol, his droll parody, and a move tune by Sunny Leone. What it needs in story and profundity it makes up with the previously mentioned. Furthermore, last yet not the least, Madhuraja closes with a guarantee of a continuation, 'Clergyman Raja' where Madhuraja has turns into a priest of the state.